You could also consider the DJI Pocket below. This tiny combined camera and stabiliser is good for shooting action and events and for flowing, creative camera moves. It can shoot 4K at up to 60fps and Full HD at fps. Is the camera comfortable to hold? Are the controls easy to use? Can you change the important settings with buttons and switches, or do you have to use menus? Does the camera have an accessory shoe so you can fit a microphone or light?
Can you set exposure, white balance and sound levels yourself, or are they all automatic? These controls might not matter to you now, but you may need them if you get serious about your filmmaking.
How far does the camera zoom out wide angle and zoom in telephoto? The wide-angle setting is probably more important as it lets you get close and makes handholding easier. The best way to compare this is find out what the 35mm equivalent is: under 30mm is good, 25mm or less is great.
How close can the camera focus? Is the built-in microphone good? Is there a headphone socket so you can listen to the sound while you film?
Can you plug in an separate microphone? A clapperboard, clapboard, film clapper, film slate, or movie slate is that black and white board you envision when you picture the start of a. What Does a Director of Photography Do? A director of photography, also called a cinematographer, DP, or DoP, shapes how a film or television series.
Film and video editors are essential to any film production. As a film and video editor, you will edit and assemble moving images on media. What is Frame Rate? Frame Rate is the frequency or rate at which consecutive images also called frames are captured or displayed. It is expressed. A Foley engineer, also known as a Foley artist, is responsible for creating an immersive experience for the audience of a film or TV show. Throughout the United States, filmmakers use locations as the backdrops of their films to set the tone of the story.
Film and TV Locations in. Night photography can be fascinating, and taking pictures at night might seem like magic if you are just getting started.
Panavision cameras are also a popular option among filmmakers. Around since the early s, Panavision Panaflex cameras were used to film movies like GoldenEye, Batman Returns, and more. Directors may use different cameras for select sequences, such as action shots or scenes that will have a lot of special effects.
Light and framing are more important than the new toys. For this project, the closest to this set on digital was the Alexa studio and its optical finder and a set of master primes because of the extra stop I would need on remote locations with a very limited access to big generators. Six different very remote landscapes were shot during a very bad summer weather-wise.
I guess the Alexa and its wide latitude helped me to get the contrast I needed when going from a sunny morning to an overcast afternoon. Ruben Impens: We wanted the film in a aspect ratio and a look that feels not too modern, the movie takes place in When analyzing the test footage we very quickly feel in love with the hawk look. I had never used this 1. We had a lot of sunny exterior locations and the anamorphic bokeh felt just right.
The Alexa 65 was interesting but too clean and the lens choices rather limited, plus because we only had a couple of weeks left in prep I was uncomfortable going down that path. I needed more time. About the camera movements. The pace of the movie is rather slow and so is the camera, it creeps on you. That was the idea and it worked out very well. Format : 3. We shot the majority of the film on the 27mm, 30mm and the 35mm. Rachel Morrison: We ultimately chose spherical 35mm sensor over 65mm or anamorphic because [director] Ryan [Coogler] really wanted a naturalistic feel and wanted a deeper depth of field so that the audience could see and experience the world of Wakanda.
We tested a number of lenses but it ultimately came down to Cooke S4s or Panavision Primos and we chose the Primos because we liked the quality of their flare. Additionally, and importantly, we were exploring the theme of a circle for Wakanda and the Cookes have an octagonal bokeh, whereas the Primos have a much rounder bokeh — at the same shooting stop. The Arri Alexa with Primo lenses helped us to balance epic scope with humanity and intimacy.
I experimented with many ideas in pre-production, video, 16mm, 35mm, Ektachrome, anamorphic lenses, spherical lenses, modern lenses, vintage lenses. Then I viewed the footage naked, free of an obstructed view about a format or practice. I was really hypnotized by the 35mm images, and additionally when it was flashed with a Panaflasher 3.
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